With Real Intent

The founding claims

How It Was Translated

A stone in a hat, with the plates often covered or in another room.

The point in one sentence

Joseph Smith produced most of the Book of Mormon by putting a rock in a hat and burying his face in it, with the gold plates frequently covered on the table or not in the room at all.

What most members picture, and what the Church describes

Church art through the 2010s showed one thing. The Gospel Topics Essay describes another.

What the essay describes
  • A seer stone placed in a hat
  • Joseph's face pressed into the hat to block out light
  • Words appearing on the stone, read aloud
  • The plates often covered on the table, in another room, or in the woods
  • The stone was one he found while digging a well, previously used for treasure seeking
What the artwork showed
  • Joseph seated at a table
  • The gold plates open in front of him
  • Studying the characters directly
  • Using the Urim and Thummim that came with the plates
  • A scene resembling scholarly translation

Source: Church Gospel Topics Essay, "Book of Mormon Translation"

The Church's own words

How to use this

Do not lead with mockery of the hat. Lead with the gap. Ask what they picture when they imagine the translation. Almost everyone describes Joseph looking at the plates. Then show them the Church's own sentence.

When they say

"The method does not matter. It was a miracle either way." Fair as theology. But it does not answer why the Church promoted a different physical picture in its art, manuals, and missionary materials for over a century.

"Seer stones were normal in 1820s folk culture." Historically accurate and worth granting. But it concedes the point: the same practice Joseph was taken to court over in 1826 is the practice that produced scripture.

This page is part of a 76-topic library. Every claim links to its source, most of them the Church’s own. Read it on the full site or browse every topic.